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by Jessica Kensky & Patrick Downes ; illustrated by Scott Magoon ‧ RELEASE DATE: April 3, 2018
A gentle introduction to service dogs and acquired disability.
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New York Times Bestseller
Schneider Family Book Award Winner
A service dog helps a white girl adjust to the loss of her legs in a story based on true events.
After failing training to be a guide dog, Rescue, a black Lab, worries about learning to be a service dog. And after her left leg is amputated, Jessica worries about learning to walk again. When Rescue becomes her service dog, they overcome their fears together. Kensky (on whom the character Jessica is based) and Downes, both amputees themselves, state in simple sentences how Rescue and Jessica adapt to physical and emotional changes. Rescue learns new tasks, such as retrieval. Jessica learns new ways to stand and walk—first on one prosthetic leg, then, after her injured right leg is also amputated, on two. Soft digital illustrations depict their respective challenges. (Readers will note that one illustration seems incongruous—the picture accompanying the text “Rescue brought her the things she needed” shows Rescue pressing a crosswalk signal button.) The authors don’t dwell on Jessica’s frustration; Rescue’s buoyant effect on her well-being makes pity impossible. Magoon uses dark backgrounds to symbolize Jessica’s sadness and fear, but scenes with Rescue are open and bright; with Rescue nearby, even the night after her second amputation is lightened (via lamplight and stars). An authors’ note reveals that both are survivors of the 2013 Boston Marathon bombing and includes information on National Education for Assistance Dog Services, the organization that trained Rescue.
A gentle introduction to service dogs and acquired disability. (Picture book. 4-6)Pub Date: April 3, 2018
ISBN: 978-0-7636-9604-7
Page Count: 33
Publisher: Candlewick
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
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Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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