Dripping in magic, strong women, and forbidden love.
A Middle East–inspired fantasy version of “Aladdin and the Magic Lamp.”
Jinni Zahra, long imprisoned in her lamp, has languished for hundreds of years in a dead city as punishment for a mysterious transgression against her kind, one that also resulted in the betrayal of the warrior queen who last held the lamp, whom Zahra still mourns with the term of endearment “Habiba.” A young thief guided by a magic ring finds the city and lamp, freeing her. Other jinn quickly offer her a bargain from their ruler: he will free her from the lamp if she rescues his son, imprisoned in Aladdin’s home city—a deal with a strict time limit. Zahra uses Aladdin’s desire for vengeance against the drug-addled king’s brother—the sadistic power behind the throne—for his revolutionary parents’ deaths and the ill treatment of the peasantry. Aladdin’s audacious and bold but unable to kill, so Zahra offers an alternative revenge: he will seduce and marry the crown princess, become king, and expel his enemies—bringing them to the palace and supporting her mission. But iron-willed Caspida is no typical princess, and Zahra’s feelings for Aladdin steadily grow—despite the taboo against jinni-human love that destroyed her Habiba. Khoury allows Zahra to narrate in the first person, placing her in a distinct fantasy world that draws on Middle Eastern tropes but is no cognate of real-world geography. Though the dynamic ending fully concludes their story, readers will likely long for more stories—say, 1,000 of them.
Dripping in magic, strong women, and forbidden love. (Fantasy. 12 & up)Pub Date: Feb. 23, 2016
ISBN: 978-1-59514-767-7
Page Count: 352
Publisher: Razorbill/Penguin
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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