Though it could easily feel preachy, this charmingly subversive tale instead offers a simple yet powerful story of the...
Julián knows he’s a mermaid.
On the el with his abuela, Afro-Latinx Julián looks on, entranced, as three mermaids enter their car. Instantly enamored, Julián imagines himself a mermaid. In a sequence of wordless double-page spreads, the watercolor, gouache, and ink art—perfect for this watercentric tale—depicts adorable Julián’s progression from human to mermaid: reading his book on the el with water rushing in, then swimming in that water and freeing himself from the constraints of human clothing as his hair grows longer (never losing its texture). When Julián discovers he has a mermaid tail, his charming expressions make his surprise and delight palpable. At home, Julián tells Abuela that he, too, is a mermaid; Abuela admonishes him to “be good” while she takes a bath. A loose interpretation of being “good” could include what happens next as Julián decides to act out his “good idea”: He sheds his clothes (all except undies), ties fern fronds and flowers to his headband, puts on lipstick, and fashions gauzy, flowing curtains into a mermaid tail. When Abuela emerges with a disapproving look, readers may think Julián is in trouble—but a twist allows for a story of recognition and approval of his gender nonconformity. Refreshingly, Spanish words aren’t italicized.
Though it could easily feel preachy, this charmingly subversive tale instead offers a simple yet powerful story of the importance of being seen and affirmed. (Picture book. 3-8)Pub Date: May 22, 2018
ISBN: 978-0-7636-9045-8
Page Count: 40
Publisher: Candlewick
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
PROFILES
SEEN & HEARD
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
