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LOVING SPORTS WHEN THEY DON'T LOVE YOU BACK

DILEMMAS OF THE MODERN FAN

An incisive, damning indictment of the world’s most popular pastimes.

Revealing some of the ugliest truths about professional sports.

Luther and Davidson are both well known in the world of sports journalism, and their investigative skills serve them well in this acute survey of their chosen field. (This is also a natural follow-up to Luther’s previous book, Unsportsmanlike Conduct: College Football and the Politics of Rape.) Written as something of a guide to ethical conflicts that so often erupt in this massive, lucrative business, the overarching theme here is cognitive dissonance. With guidance from psychologists and other experts, the authors dig into the mindsets of fans and their love of the game and players and the manners in which they experience them. They also examine what happens when players and owners behave in problematic, occasionally inexcusable ways. There are some obvious targets: The authors first tackle the issue of doping, famously represented by Lance Armstrong, as well as the inherent issues around brain trauma in the NFL and the persistent problem of defending players credibly accused of domestic violence or sexual assault. But the depth and breadth of the book are impressive, as the authors discuss less-reported issues like inequality in the world of women’s sports or the struggles of players who identify with the LGBTQ community. Because the authors are journalists and not commentators, they also delve much deeper into the inner workings of the sports industry, covering in detail such topics as malevolent team owners, exemplified by former Los Angeles Clippers owner Donald Sterling, who was banished by the league for his racist comments; the odd mechanics of professional baseball’s free market; and the economic inequities surrounding college basketball’s March Madness. With illuminating interviews and commentary by insiders from the sports community, an appealing pace, and elegant writing, this is a sports book that should interest not just sports fans, but anyone interested in politics, business, or society at large.

An incisive, damning indictment of the world’s most popular pastimes.

Pub Date: Sept. 1, 2020

ISBN: 978-1-4773-1313-8

Page Count: 408

Publisher: Univ. of Texas

Review Posted Online: May 28, 2020

Kirkus Reviews Issue: June 15, 2020

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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