Former child violin prodigy Martinez brings this overwrought world to tense, quivering life and guides readers through it...
Grammy-winning, world-touring violinist Carmen Bianchi, 17, has outgrown child-prodigy status. To transition to an adult career as a virtuoso soloist, she must win the Guarneri Competition. If she loses, she’ll be just another former prodigy.
Reflecting on the peculiar fame belonging to classical-music prodigies, Jeremy King—another ambitious ex-wunderkind with an equally intimidating resume—tells Carmen, “You’re a god to two percent of the population and a nobody to everyone else.” Carmen embodies this strange dichotomy. She’s homeschooled, has never dated, lacks close friends and depends on anti-anxiety drugs. She also has a vocation she loves, a Stradivarius violin and a posse of adults dedicated to advancing her career. Chief among these is Carmen’s mother and manager, Diana, whose operatic career ended early. As the competition approaches, Carmen and Jeremy—each ardently competitive and deeply smitten—form a deep but wary bond that Diana, ruled by anxious passions and an iron determination to win, bitterly opposes. Carmen’s struggles to succeed with integrity remind readers that “virtue” is the root of “virtuosity,” a fragile truth often lost when valuable prizes are at stake.
Former child violin prodigy Martinez brings this overwrought world to tense, quivering life and guides readers through it confidently. A brilliant debut. (Fiction. 14 & up)Pub Date: Oct. 18, 2011
ISBN: 978-1-4424-2052-6
Page Count: 304
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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