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ONE THING BETTER

A complex and hugely satisfying contemporary romance between genuine, flawed people.

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In Sherry’s novel, an embattled woman finds unlikely second chances in the wake of her mother’s death.

Feeling flummoxed and vulnerable, Lena Buckley is dealing with more than her fair share of life's troubles: She’s 35, without many exciting personal or professional prospects on the horizon, living in her family’s run-down farm house (where “everything here is edges toward broken”) and dealing with her usual anxieties, which have only been exacerbated by the recent death of her mother. She and her younger brother, Lucas, have finished sorting through their mother’s things, and he’s flown back to Malibu, leaving her alone in the old house with a million loose ends to tie up (and feeling like her entire life is one big loose end). Her dogged philosophy through all of this has been the simple goal that forms the book’s title, but even that often seems beyond her reach. Into this messy, muddled world comes local policeman Ben Wright, who, on the surface, appears to be Lena’s opposite in every way that matters—he’s orderly, in control, and efficient (and good-looking: When Ben pulls Lena over to give her a speeding ticket, she notices “his chiseled face seems permanently fixed on tough-guy-having-a-bad-day”). But he’s hiding some internal damage and conflict as deep as Lena’s own, as she slowly discovers when she decides that, after “three years of a stalled life,” she requires a change. When a twist of fate brings her into contact with Ben again, a guarded, awkward friendship slowly begins to grow into something more.

The author crafts the tale of this unlikely friendship in ways that are both subtle and surprising. The central factor in the utterly winning quality of the narrative is Lena herself, hapless but not helpless, sarcastic but not mean, loving to everybody but her own harshest critic. Sherry expertly varies Lena’s different registers, from biting humor (when a married couple wants to swoop in and buy the old family house, Lena notices of the wife, “Her serial-killer vibe matches her husband’s”) to merciless self-castigation (“I’m jobless, practically homeless, and destined for my brother’s pool house,” she thinks in one such moment. “I have absolutely nothing to offer, and I suck at relationships”). This produces the natural, unforced effect of making the reader feel protective, and it adds a sharp intensity to her beautifully rendered longing for something more (an “all in, unapologetic, honest love”), which she begins to feel for Ben. “There’s a soft moment in the empty space between us that edges on relief,” she observes, “like he’s jiggling the lock on the door I’m trapped behind.” Readers accustomed—maybe too accustomed—to the typical meet-cute, witty-banter, early-to-bed, early-to-wed template of many contemporary romances will find the emotionally complicated situation the author creates in these pages immensely refreshing; these are two far from perfect, believable characters slowly chipping away at the barriers they’ve erected against the happiness they want. When Lena observes that “falling in love is all about the little things,” this narrative will make readers believe it.

A complex and hugely satisfying contemporary romance between genuine, flawed people.

Pub Date: Oct. 24, 2023

ISBN: 9798988725411

Page Count: 408

Publisher: Self

Review Posted Online: Oct. 5, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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FUNNY STORY

Henry fans, rejoice: This is her best yet.

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A recently dumped librarian finds herself fake dating her polar opposite.

When Daphne Vincent’s fiance, Peter, dumps her, she’s shocked—but the worst part is that he’s leaving her for his gorgeous best friend, Petra, the woman he’d always told Daphne not to worry about. Now Daphne has to move out of Peter’s home and restart her life in the small Michigan town where she’d moved to be with him. Salvation comes in the form of Miles Nowak, Petra’s ex—he has a tiny spare room in his apartment, and he understands what it’s like to wallow in heartbreak. Daphne feels lucky to have her dream job as a children’s librarian, but other than that, she feels adrift and friendless in Waning Bay—and then she and Miles get invitations to Peter and Petra’s wedding. In a momentary lapse of judgment, Daphne not only says she’ll attend the wedding, but tells Peter she’s dating Miles. It would be the perfect way to show Peter and Petra that they’ve moved on…if only it were true. In the grand tradition of fake-dating romances, Daphne and Miles pretend to be in love, getting to know each other while having various adventures and misadventures. Daphne quickly learns that although she’d dismissed Miles as a pothead with a lack of direction, he’s actually a good time—and a loyal friend. But Daphne knows she needs to get out of Waning Bay, so this fake relationship can’t lead anywhere…can it? Reliable bestseller Henry has written another surefire hit that manages to be dramatic, sexy, and fun. Miles and Daphne have chemistry that leaps off the page, and their will-they-or-won’t-they energy propels the story to its satisfying conclusion. Daphne is an immensely likable character, one whose past realistically informs her current relationships. The world of Waning Bay is charmingly quirky, and Daphne’s co-workers at the library are endearing. As always, Henry’s biggest strength is the sharp, often hilarious dialogue that makes the story a joy to read.

Henry fans, rejoice: This is her best yet.

Pub Date: April 23, 2024

ISBN: 9780593441282

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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