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ONE THING BETTER

A complex and hugely satisfying contemporary romance between genuine, flawed people.

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In Sherry’s novel, an embattled woman finds unlikely second chances in the wake of her mother’s death.

Feeling flummoxed and vulnerable, Lena Buckley is dealing with more than her fair share of life's troubles: She’s 35, without many exciting personal or professional prospects on the horizon, living in her family’s run-down farm house (where “everything here is edges toward broken”) and dealing with her usual anxieties, which have only been exacerbated by the recent death of her mother. She and her younger brother, Lucas, have finished sorting through their mother’s things, and he’s flown back to Malibu, leaving her alone in the old house with a million loose ends to tie up (and feeling like her entire life is one big loose end). Her dogged philosophy through all of this has been the simple goal that forms the book’s title, but even that often seems beyond her reach. Into this messy, muddled world comes local policeman Ben Wright, who, on the surface, appears to be Lena’s opposite in every way that matters—he’s orderly, in control, and efficient (and good-looking: When Ben pulls Lena over to give her a speeding ticket, she notices “his chiseled face seems permanently fixed on tough-guy-having-a-bad-day”). But he’s hiding some internal damage and conflict as deep as Lena’s own, as she slowly discovers when she decides that, after “three years of a stalled life,” she requires a change. When a twist of fate brings her into contact with Ben again, a guarded, awkward friendship slowly begins to grow into something more.

The author crafts the tale of this unlikely friendship in ways that are both subtle and surprising. The central factor in the utterly winning quality of the narrative is Lena herself, hapless but not helpless, sarcastic but not mean, loving to everybody but her own harshest critic. Sherry expertly varies Lena’s different registers, from biting humor (when a married couple wants to swoop in and buy the old family house, Lena notices of the wife, “Her serial-killer vibe matches her husband’s”) to merciless self-castigation (“I’m jobless, practically homeless, and destined for my brother’s pool house,” she thinks in one such moment. “I have absolutely nothing to offer, and I suck at relationships”). This produces the natural, unforced effect of making the reader feel protective, and it adds a sharp intensity to her beautifully rendered longing for something more (an “all in, unapologetic, honest love”), which she begins to feel for Ben. “There’s a soft moment in the empty space between us that edges on relief,” she observes, “like he’s jiggling the lock on the door I’m trapped behind.” Readers accustomed—maybe too accustomed—to the typical meet-cute, witty-banter, early-to-bed, early-to-wed template of many contemporary romances will find the emotionally complicated situation the author creates in these pages immensely refreshing; these are two far from perfect, believable characters slowly chipping away at the barriers they’ve erected against the happiness they want. When Lena observes that “falling in love is all about the little things,” this narrative will make readers believe it.

A complex and hugely satisfying contemporary romance between genuine, flawed people.

Pub Date: Oct. 24, 2023

ISBN: 9798988725411

Page Count: 408

Publisher: Self

Review Posted Online: Oct. 5, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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DREAM GIRL DRAMA

The forbidden romance trope fails because the conflict is so pedestrian.

A professional hockey player has feelings for the one woman he can’t have: his soon-to-be stepsister.

Sig Gauthier loves his job playing defense for the Boston Bearcats, and he’s proved himself a real asset to the team. When this season ends, he will renegotiate his mediocre, low-paying contract, one he accepted while injured and desperate for any team to sign him. When his father asks him to come to dinner to meet his new girlfriend, Sig decides to go, since it’s only a few hours’ drive to Darien, Connecticut, and he’s curious. On the way, his ancient truck breaks down, and he pulls into a country club parking lot where he meets Chloe Clifford, the most beautiful, alluring woman he’s ever seen. Chloe dreams of accepting a seat as a harpist at a conservatory in Boston; however, her wealthy, controlling mother wants her to stay in Darien. That night at dinner, Sig is surprised to find Chloe there—and when they discover their parents are planning to marry each other, they realize they can only be friends themselves. Sig encourages Chloe to come with him to Boston, where he rents her an apartment despite it being a massive financial burden. Several months pass. They long for each other, but studiously ignore their incendiary sexual chemistry and remain friends. When the press realizes that Sig’s biggest fan is his soon-to-be-stepsister, his new general manager tells him he must choose between Chloe or re-signing with the team. Everything rests on the premise that two people who meet as adults would be entering into a taboo, forbidden relationship because their parents are about to marry. Although Bailey does her best to sell it, the pretext keeping her characters apart is thin and underdeveloped. Chloe and Sig are wild for each other from the second they meet, which negates any attempt to create tension or conflict.

The forbidden romance trope fails because the conflict is so pedestrian.

Pub Date: Feb. 4, 2025

ISBN: 9780063380783

Page Count: 320

Publisher: Avon/HarperCollins

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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