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ISIS

THE STATE OF TERROR

Despite being dense reading, this book offers much to learn about ISIS and an expanded understanding of current events.

A detailed study of the Islamic State of Iraq and Syria from its rise out of al-Qaida to its intended fulfillment of apocalyptic prophecies.

Stern (Terrorism Studies/Harvard Univ.; Denial: A Memoir of Terror, 2010, etc.) and Foreign Policy contributor Berger (Jihad Joe: Americans Who Go to War in the Name of Islam, 2011, etc.) begin their treatise on ISIS with the same iconic image most Westerners associate with the group: the beheading of a civilian, kneeling on the ground in an orange jumpsuit. From there, the authors track not only the origins of the terrorist organization, but their growth, media campaigns, mindset, and goals, as well as the far-reaching ramifications of the group’s tactics. The authors separate these aspects of ISIS into different chapters, a structure that is helpful but also causes some repetition. Stern and Berger often reference specific anecdotes or historical points multiple times, with included notes to see another chapter for more information. Chapters on social media contain important analysis and insightful points about ISIS and terrorist organizations in general, but they include so much detail about the technology that they will likely exasperate tech-savvy readers. Still, Stern and Berger provide a wealth of useful information, from a clarification of how the U.S.–led invasion of Iraq helped to create the perfect ISIS breeding ground to a demonstration of the way government and corporate policies influence the fight against the organization. In an appendix, the authors deliver a brief, easy-to-digest history of Islam and its practices (and abuses), ensuring that readers are at least somewhat familiar with the basic tenets, splits, and specific groups most prone to jihad. They also include a glossary and timeline, beginning with the declaration of war against Iraq in March 2003.

Despite being dense reading, this book offers much to learn about ISIS and an expanded understanding of current events.

Pub Date: March 24, 2015

ISBN: 978-0-06-239554-2

Page Count: 416

Publisher: Ecco/HarperCollins

Review Posted Online: March 20, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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