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MY BLUE IS HAPPY

An uneven but interesting meditation on the resonance of color, for classroom or family sharing.

A little girl’s contrarian views about the emotional significance of various colors permit her to explore her individuality among family and friends.

“ ‘Yellow is cheery,’ says my mom. / ‘Like the summer sun.’ / But my yellow is worried / Like a wilting flower / And a butterfly caught in a net.” Her best friend loves pink: “It’s pretty, like a ballerina’s tutu.” Pink can be annoying, however, like a bug bite and gum on a shoe. Chien’s acrylic double-page spread shows four pink-clad dancers in a studio, with our narrator troubled both by flying pests and, yes, gum stretching from her slipper’s sole. Young’s plainly delivered, poetic text achieves a subtly conspiratorial tone, as the little girl establishes the specialness of brown chocolate syrup and gray’s “curled-up kitten” coziness. Some of the metaphorical musings seem too adult for a child narrator and might elude young children, especially since Chien illustrates some and ignores others. (That captured butterfly, for example, never appears, and a prowling orange tiger seems to confront the narrator directly.) Her rich but controlled palette and simply drawn faces evoke a bit of Brian Karas’ work.

An uneven but interesting meditation on the resonance of color, for classroom or family sharing. (Picture book. 4-7)

Pub Date: Aug. 6, 2013

ISBN: 978-0-7636-5125-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 21, 2013

Kirkus Reviews Issue: June 15, 2013

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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