Since Mom's Uncle Daney—in a wheelchair since a logging accident—has no one else, Cole's family takes him in even though their own finances are tight: They've just bought the Vermont farmland their modest trailer occupies. There's a barn on the property; heat and plumbing make a stall into a room of which even the visiting nurse approves. Uncle Daney's old workhorse, Nip, is a bigger problem: There's no money for hay and the land is overgrown with juniper bushes. Still, though quirky and penniless, Daney has a ``way'' with him; he teaches Cole to harness Nip and, in believable steps, uproot the junipers—a monumental labor that suits Cole, who loves real work. The newly planted grass won't make enough hay for next winter; but that's provided after the two take Nip to a country fair where his precise responses to verbal commands win the boy a prize and a chance for Uncle Daney to earn Nip's keep. Skillfully, Haas builds her two main characters as they cooperate in facing situations new to both. Without self-pity, Daney simply ignores the possibility of giving up, using both his native ingenuity and his ability to manipulate others (it is, after all, Cole who's doing the work as Daney directs). Cole, a shy loner at his new school, throws himself wholeheartedly into keeping Daney and Nip together; in the end, he also earns a classmate's respect for his new skill in handling the big horse. A richly satisfying story of ordinary people doing some extraordinary problem solving. (Fiction. 10-14)
Pub Date: April 1, 1994
ISBN: 0-688-12794-0
Page Count: 128
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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