THE DOUGHNUT FIX

Tristan’s family has always loved living in New York City, but all that is about to change.

Dad announces that they are moving to a dilapidated, purple house on a hill on the outskirts of the very small town of Petersville in upstate New York. Baby sister Zoe is frightened and confused. Jeanine, two years younger than Tristan and a math genius in gifted and talented classes, is appalled and worried about her educational prospects. Tristan is devastated, for he is a city kid through and through. Because they won’t be starting school for several months, their parents tell Jeanine and Tristan they must complete a project. Jeanine selects a complicated scientific and mathematical study that allows her to remain uninvolved with people. Tristan, who loves to cook, like his chef mom, decides to start a business making and selling the supposedly mind-blowing chocolate-cream doughnuts once famous in Petersville but now no longer made. His business plan leads to adventures, new friends, and a sense of acceptance. Tristan is a charmer; he’s earnest, loving, wistful, and practical, and he narrates his own tale without guile. But he is the only character so well defined—next to him, the supporting cast feels flat. The family is described as Jewish early on, but their Judaism is kept well to the background; the people of Petersville are white by default.

A bit disjointed and episodic, but Tristan is a likable companion.