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THE REMEMBER BALLOONS

Name: THE REMEMBER BALLOONS
Author: Jessie Oliveros
ISBN: 978-1-4814-8915-7

by Jessie Oliveros ; illustrated by Dana Wulfekotte ‧ RELEASE DATE: Aug. 28, 2018

A moving and meaningful way to talk about a situation many families will face.

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Every few years a new picture book takes on the subject of dementia and memory loss; this is that title for 2018.

Not since Wilfrid Gordon McDonald Partridge, by Mem Fox and illustrated by Julie Vivas (1984), has the topic been handled with such gentle compassion, using the metaphor of memory-filled balloons to explore it. Explaining a confounding disease to young children is difficult, and the notion of the titular balloons is initially confusing. As the story—and the disease as it manifests in the narrator’s grandfather—progresses, the idea of storing memories in balloons is increasingly effective. Children understand the ephemeral nature of balloons. Gray-toned line drawings quietly convey James and Grandpa’s loving relationship even as Grandpa is beginning to forget the details of his life. The brightly colored balloons stand out against the white background in stark contrast to Grandpa’s fading memory. Placing the memory vignettes in full-page tinted balloons helps clarify their position in the story and makes this abstract metaphor more concrete for young readers. Both Grandpa and Dad have curly hair and dark skin, and Mom is white. Biracial James and Grandpa’s shared heritage and stories of their loving family shine. What is clear is that their memories matter—to them and ultimately to readers.

A moving and meaningful way to talk about a situation many families will face. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-1-4814-8915-7

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)