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THE LOWLAND

Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even...

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A tale of two continents in an era of political tumult, rendered with devastating depth and clarity by the Pulitzer Prize–winning author.

The narrative proceeds from the simplicity of a fairy tale into a complex novel of moral ambiguity and aftershocks, with revelations that continue through decades and generations until the very last page. It is the story of two brothers in India who are exceptionally close to each other and yet completely different. Older by 15 months, Subhash is cautious and careful, not prone to taking any risks, unlike his impetuous brother Udayan, the younger but the leader in their various escapades. Inseparable in their Calcutta boyhoods, they eventually take very different paths, with Subhash moving to America to pursue his education and an academic career in scientific research, while Udayan becomes increasingly and clandestinely involved in Indian radical militancy. “The chief task of the new party was to organize the peasantry,” writes the novelist (Unaccustomed Earth, 2008, etc.). “The tactic would be guerrilla warfare. The enemy was the Indian state.” The book's straightforward, declarative sentences will ultimately force the characters and the reader to find meaning in the space between them. While Udayan characteristically defies his parents by returning home with a wife he has impulsively courted rather than submitting to an arranged marriage, Subhash waits for his own life to unfold: “He wondered what woman his parents would choose for him. He wondered when it would be. Getting married would mean returning to Calcutta. In that sense he was in no hurry.” Yet crisis returns him to Calcutta, and when he resumes his life in America, he has a pregnant wife and, soon, a daughter. The rest of the novel spans more than four decades in the life of this family, shaped and shaken by the events that have brought them together and tear them apart—“a family of solitaries [that]...had collided and dispersed.”

Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even wider readership.

Pub Date: Sept. 24, 2013

ISBN: 978-0-307-26574-6

Page Count: 352

Publisher: Knopf

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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