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THE LOWLAND

Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even...

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A tale of two continents in an era of political tumult, rendered with devastating depth and clarity by the Pulitzer Prize–winning author.

The narrative proceeds from the simplicity of a fairy tale into a complex novel of moral ambiguity and aftershocks, with revelations that continue through decades and generations until the very last page. It is the story of two brothers in India who are exceptionally close to each other and yet completely different. Older by 15 months, Subhash is cautious and careful, not prone to taking any risks, unlike his impetuous brother Udayan, the younger but the leader in their various escapades. Inseparable in their Calcutta boyhoods, they eventually take very different paths, with Subhash moving to America to pursue his education and an academic career in scientific research, while Udayan becomes increasingly and clandestinely involved in Indian radical militancy. “The chief task of the new party was to organize the peasantry,” writes the novelist (Unaccustomed Earth, 2008, etc.). “The tactic would be guerrilla warfare. The enemy was the Indian state.” The book's straightforward, declarative sentences will ultimately force the characters and the reader to find meaning in the space between them. While Udayan characteristically defies his parents by returning home with a wife he has impulsively courted rather than submitting to an arranged marriage, Subhash waits for his own life to unfold: “He wondered what woman his parents would choose for him. He wondered when it would be. Getting married would mean returning to Calcutta. In that sense he was in no hurry.” Yet crisis returns him to Calcutta, and when he resumes his life in America, he has a pregnant wife and, soon, a daughter. The rest of the novel spans more than four decades in the life of this family, shaped and shaken by the events that have brought them together and tear them apart—“a family of solitaries [that]...had collided and dispersed.”

Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even wider readership.

Pub Date: Sept. 24, 2013

ISBN: 978-0-307-26574-6

Page Count: 352

Publisher: Knopf

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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