by Ji-li Jiang ; illustrated by Julie Downing ‧ RELEASE DATE: Dec. 13, 2016
Gracefully told and illustrated, a gentle, positive encounter with a beautiful bird in an unfamiliar world.
The rescue of a crane restores an unhappy girl as well.
Left voiceless by a recent illness, Lotus’ only companion is her reed whistle. Gathering reeds and playing her pipe on a lonely lake, the young Chinese girl sees a hunter shoot an endangered red-crowned crane. She rescues it and, with her grandfather, nurses the injured bird she calls Feather back to health. Still flightless, he follows her everywhere. When he dances to her music, her schoolmates dance along. One night, his warnings help save the villagers from a flood. In return, they work to keep hunters from the lake. By the time Feather flies free, Lotus has plenty of friends to keep her company. Downing’s finely crafted illustrations perfectly complement this reassuring story. Done with watercolor, pencil, and paint and digitally collated, they have the look of Chinese paintings, with misty backgrounds and gently bending reeds. The rosy-cheeked children wear red scarves, alluding to the author’s own childhood during the Cultural Revolution. The crane’s many graceful poses are beautifully conveyed, seasons change, and the backgrounds lighten from gray to a celebratory rose. The environmental message, Grandpa’s explanation that “greedy fishermen and hunters, and…ignorant people…took over land where animals once lived,” is slightly contradicted by the satisfying ending when the cranes return, but it may resonate.
Gracefully told and illustrated, a gentle, positive encounter with a beautiful bird in an unfamiliar world. (Picture book. 4-8)Pub Date: Dec. 13, 2016
ISBN: 978-1-4231-2754-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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