by J.I. Vatanen ; translated by Douglas Robinson ‧ RELEASE DATE: Oct. 31, 2022
A clever but wearisome performance of postmodern literary theory.
A confusing novel loosely dramatizes Finland’s tumultuous political history.
J.I. Vatanen is a young Finnish actor, and after a performance, he’s drawn to twins M. and Maiju Lassila. The gender of the twins is apparently less than obvious—people ask all the time—but they identify as nonbinary. Maiju, though, is a female name, and throughout the narrative told by Vatanen, both are referred to as females. This basic uncertainty is at the heart of this bewildering memoir-novel, which at every turn communicates information to the reader that is often, sometimes immediately, called into suspicion. The trio become very close, forming a “magical embrace,” and Vatanen and Maiju in particular are “soulmates” from the start. Their friendship occurs during a perilous time in Finnish history—they all meet at the end of the 19th century when Finland is ruled by Russia, though with an “extraordinarily light” hand. The Russians execute a coup, however, and assert a more aggressive control of Finland, one designed to produce the “Russification” of the country, a history intelligently conveyed by the author. But the plot isn’t the point. The entire book is presented as a “psueodotranslation” of Vatanen’s work—it’s never obvious that the book Robinson purports to translate exists. Also, the book is a fictional memoir written by Vatanen about Maiju, but both names are pseudonyms for Algot Untola, a Red agitator executed during the civil war. Algot comes back to life, calling into question even his death. In short, Robinson ensures the reader is always lost and makes it clear this is his intention in the preface to the book, a literary approach with a long pedigree the author dutifully acknowledges. So what precisely is the point of deploying a derivative literary technique to tell an unintelligible story that lacks dramatic power? This question is likely to occur to the rare reader who makes it to the end of this postmodern facsimile offered as an experiment.
A clever but wearisome performance of postmodern literary theory.Pub Date: Oct. 31, 2022
ISBN: 9781639885305
Page Count: 232
Publisher: Atmosphere Press
Review Posted Online: Nov. 28, 2022
Review Program: Kirkus Indie
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by Mia Kankimäki ; translated by Douglas Robinson
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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