Exhilarating, groundbreaking essays that should establish Tolentino as a key voice of her generation.
A popular young writer tackles a host of cultural movements in her debut collection of essays.
In these nine stunning pieces, New Yorker staff writer Tolentino seamlessly melds together journalistic social criticism and revealing personal essays. To varying degrees of intimate context, she places herself within each narrative, reporting on broad social currents while revealing very specific encounters. Among the many topics the author explores: the expansive influence of the internet and social media; the increasing social pressure to optimize our interests and aspirations at all times (especially for women); the alarming proliferation and increased tolerance of scamming; societal, somewhat idealized traditions such as marriage and, more specifically, weddings. Tolentino recounts her experience with reality TV and reflects on her teenage identity when she appeared as a contestant in Girls v. Boys: Puerto Rico. “Reality TV had not yet created a whole new type of person,” she writes, “the camera-animated assemblage of silicone and pharmaceuticals; we hadn’t yet seen the way organic personalities could decay on unscripted television, their half-lives measured through sponsored laxative-tea Instagrams and paid appearances at third-tier regional clubs.” She also recalls favorite literary books from her past, assessing the heroines’ varying plights in guiding her current feminist leanings. While offering razor-sharp commentary on the underbelly of our culture, she can also appreciate its attraction. Furthermore, she acknowledges her particular conundrum, having established her niche as a writer by staying in tune with cultural trends: “I don’t know what to do with the fact…that my career is possible in large part because of the way the internet collapses identity, opinion, and action—and that I, as a writer whose work is mostly critical and often written in first person, have some inherent stake in justifying the dubious practice of spending all day trying to figure out what you think.” Tolentino offers a millennial perspective that is deeply grounded, intellectually transcending her relative youth. She brings fresh perspective to current movements in a manner similar to that of Joan Didion in the 1960s and ’70s.
Exhilarating, groundbreaking essays that should establish Tolentino as a key voice of her generation.Pub Date: Aug. 6, 2019
ISBN: 978-0-525-51054-3
Page Count: 304
Publisher: Random House
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
