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WANTING A CHILD

TWENTY-TWO LITERARY WRITERS ON THEIR DIFFICULT BUT MOSTLY SUCCESSFUL QUESTS FOR PARENTHOOD

Yet another well-crafted single-subject essay collection, this one about the difficulties of becoming parents. Poet Bialosky and novelist Schulman (Out of Time, 1991, etc.) have assembled the works of 22 writers that reveal how for them, like many who have the natural desire for children, “things don’t come as easily or as quickly as we once imagined they would.” They show that the obstacles touch families of all kinds, including straight, gay, step-families, and single parents, and spring from several sources—postponement of pregnancy, a late marriage, no marriage, adoption agency horrors. For Bob Shacochis, the issue is in the couple’s inability to conceive; for Steve Byrnes, it’s surrogacy for a same-sex family; for Tama Janowitz, it’s an adoption in China; for Phillip Lopate, it’s a young daughter’s chronic illness; for Bialosky, it’s honoring two infant deaths. Some tales are harrowing, some joyful; but none are simple. And all, no matter the situation, incorporate Barbara Jones’s observation about parental obsession—that “once you have thought of her as yours . . . nothing will stop you from wanting her. And only some terrible force outside of your control will prevent you from having her.” Yet despite the diversity in experience and notion of family, there are similarities of age and outlook that readers may find either reassuring or redundant. These works hold the views of a reflective middle age. Just as similar are the narrators: Articulate, analytical, they often live hand-to-mouth and keep odd schedules—why, they’re writers! Anyone looking for the experiences of a lawyer or sales clerk will have to wait for an oral history or an afternoon talk show. For those in prime parenting years who have faced such trials, these are voices of comfort and wonder.

Pub Date: May 1, 1998

ISBN: 0-374-28634-5

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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