A pointed contemporary twist on a classic horror setup.
Dearman reimagines the classic tale of Jekyll and Hyde as a transition narrative in this queer horror novella.
Ella is struggling with the transition of her partner, Simon (formerly Simone). Even as she tries to support him, she misses the female body that she fell in love with. The two have the opportunity to start anew when Ella inherits an old inn from her grandmother in Hudson, New York. In the inn’s basement, Ella finds a diary from 1933. It tells the story of Jeannette Diamond, the bookish daughter of the original innkeeper, who spends her time studying spiritualist texts with her friend Dahlia. Jeannette has romantic feelings for Dahlia, but when Dahlia rebuffs her by saying she’s only interested in men, Jeannette decides she’ll simply use her occult books to turn herself into one. After many feverish attempts and failures, she finally succeeds: “To her astonishment, her jaw jutted out and her face seemed wider, though her nose more narrow. Brows now thickened framed dark eyes, which appeared more sunken in. A tickling of stubble covered lip and chin and felt coarse against her fingers.” But can Gilles Du Mont, as she names herself, win Dahlia’s heart before she marries another man? Or will this dark magic lead only to dark results? The author’s stylish prose possesses the right combination of camp and terror to animate this Gothic horror: “The blood washed over the clear fluid inside the syringe, giving it the slightest pink hue. With a good vein in her left arm begging to be punctured, she wrapped the rubber tubing over her bicep, tied a workable knot and pulled it taut with her teeth.” Dearman cleverly pushes the Jekyll and Hyde premise toward an exploration of gender and desire, finding a way to tie it back toward the framing narrative of Ella and Simon. Like all great horror, it capitalizes on a recognizable human insecurity, in this case one that feels particularly timely.
A pointed contemporary twist on a classic horror setup.Pub Date: June 20, 2023
ISBN: 9798987839867
Page Count: 94
Publisher: The Shortish Project
Review Posted Online: May 5, 2023
Review Program: Kirkus Indie
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
PERSPECTIVES
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