by Jill Lepore ‧ RELEASE DATE: Feb. 14, 2002
A thematically linked series of insightful essays that will delight students of cultural Americana and fans of the history...
From innovative, Bancroft Prize–winning historian Lepore (The Name of War: King Philip’s War and the Origins of American Identity, 1998), a group portrait of seven 19th-century Americans whose efforts in the development of language paralleled and contributed to the growth of our national identity.
Lepore (History/Boston Univ.) relates here the stories of Noah Webster, who sought to standardize American spelling; William Thornton, designer of an international alphabet; Cherokee silversmith Sequoyah, inventor of a written language meant to help his tribesmen avoid assimilation; Thomas Hopkins Gallaudet, who brought the French idea of sign language for the deaf to the New World; the Mississippi cotton plantation slave Abd al-Rahman, who used his knowledge of Arabic to prove his royal heritage and win his freedom and repatriation to Africa; the frustrated artist Samuel Morse, creator of a telegraph language he believed might promote peace and human understanding; and Alexander Graham Bell, whose efforts to teach the deaf to speak led to his development of the telephone. The seven mini-biographies weave in and around and give new shading to many recognizable aspects of US history: the development of the Constitution and emerging ideas of nationhood, the “back to Africa” movement of the 1820s, the laying of the Atlantic cable in 1858, the advent of an era of American technological enthusiasm in the 1870s. The author’s thesis—that her protagonists’ strong ideas about language and communication are integral to the nation-building that occupied 19th-century America—seems indisputable, although she herself concedes that grouping these particular stories together is something of a contrivance. Indeed, at times Lepore seems to struggle with sustaining a coherent booklength narrative, but she nonetheless elucidates important back-currents of America’s cultural history with splendid erudition.
A thematically linked series of insightful essays that will delight students of cultural Americana and fans of the history of language.Pub Date: Feb. 14, 2002
ISBN: 0-375-40449-X
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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