Murphy’s lovable little monster, Marlon (The Last Noo-Noo, 1995) returns in a heartfelt and ultimately triumphant tale about being excluded. Weary of playing alone, Marlon eagerly approaches the neighborhood children to join their games. However, while the trio may have such hilarious names such as Alligantina and Boomps-a-Daisy, their actions are not so amusing. Each time Marlon attempts to participate, the children abruptly change the venue, moving from Musketeers to Pirates to gymnastics in rapid succession. After several episodes of being deliberately left out of the play, Marlon hits upon the very idea to soothe his wounded self-esteem. Murphy’s shrewd tale illuminates a grievous yet common childhood dilemma and the elemental truth that is at the heart of this matter. Marlon’s determination to make his own fun has wondrous results; soon the trio is longingly watching Marlon frolic in his backyard “ocean” and eager to participate in his play. The crisp lines and vibrant tones of Murphy’s pen and colored-pencil illustrations make a vivid impact. Her detailed, imaginative drawings of the monsters add a comical flair to the tale, balancing out the poignancy and of the situation. Astutely conveying a vital life lesson with aplomb while avoiding any treacly sentimentalism, this is definitely to be shared with any child navigating the rocky waters of peer relations. (Picture book. 4-8)
Pub Date: Aug. 1, 2002
ISBN: 0-7636-0785-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
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