The creators of A Day in the Life of Marlon Bundo (2018) press another topical hot button.
Replete with twee Capital Letters, the tale sends Jitterbug the chipmunk skittering from her cozy nest in search of the Something New that her sensitive tummy tells her has come to the forest. Along the way she meets friends who share important thoughts she tucks away as irrelevant but “good information.” The Something turns out to be a Someone, namely slow-talking Pudding the snail, a refugee from the recently flooded garden over the hill. Prompted by fear of change, Jitterbug peremptorily orders Pudding to turn back. But when her less jittery animal neighbors gang up to point out that she’s being irrational, Jitterbug acknowledges her mistake. Back comes Pudding (who hadn’t gotten very far anyway) to make a new home and become a Very Good Friend. In splashy digital watercolors Keller adds at least some flavor to the precious narrative, placing animated forest creatures with mildly anthropomorphic postures and expressions into pleasant sylvan surroundings and strapping a backpack atop Pudding’s brightly striped shell. Jitterbug may judge the thought that “even though New can be scary, kindness is stronger than fear” to be “very good information,” but her change of heart at the shrink-wrapped climax comes with superficial ease.
The grown-ups who buy this will already, like their offspring, have bought the message
. (Picture book. 6-8)