A beautiful and long-overdue picture-book homage to the importance of ancestors in Afro-Caribbean cultures.
A magic shell helps a Black Caribbean immigrant child connect with her ancestors.
Pigeon Pea, a young girl with medium-brown skin and an Afro, watches her parents and aunts (cued as a lesbian couple) preparing roti and callaloo (Caribbean culinary staples) and asks big questions: Who were their ancestors, and what would they say if they were still with them? Aunty bestows her with a magical cowrie shell that “carries the story of our people across sea and distant lands.” The shell’s magic transports Pigeon Pea through time and space, first to Tobago, where she meets her African foremothers and Kalinago forebears and participates in their community rituals, and then to West Africa, where she learns the songs and dances of her ancestral kinfolk, meets the “spirit guides” of her family, and is counseled by Yemoja, the mother of all Orishas, who assures her that “we are always rooting for you! We are with you wherever you are.” Pigeon Pea returns from her journey eager to tell her contemporary family about her enlightening adventure. The final illustration is a perfect ending: Pigeon Pea’s happy family enjoys a meal surrounded by the smiling spirits of their ancestors. Familial love and the joy of self-discovery are affirmed in Christmas’ uplifting narrative. The questionable choice of rhyming text and a lack of perspective in Mungaray’s colorful animation-esque art don’t spoil this special and important story. All characters are Black or Indigenous.
A beautiful and long-overdue picture-book homage to the importance of ancestors in Afro-Caribbean cultures. (glossary) (Picture book. 5-8)Pub Date: Jan. 25, 2022
ISBN: 978-1-9991562-4-4
Page Count: 28
Publisher: Flamingo Rampant
Review Posted Online: Jan. 14, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
