A remarkable account that captures the horror of hardship and the power of charity.
In this memoir, a humanitarian shares her journey from growing up in poverty in India to founding an esteemed charity that helps protect society’s most vulnerable.
Haslam was raised in Kolkata, India, in the 1970s. Her parents were part of the Anglo-Indian community that remained in the country after the British government withdrew in 1947. The family was homeless for the first six years of the author’s life. Despite her father’s being employed full-time, they could not afford a permanent residence. Haslam became accustomed to squatting or staying in slums, during which time she witnessed the deaths of her twin siblings, who suffered from malnutrition. The author was determined to gain an education, and her first break arrived when she was offered a job with Bank of America, where she later became president of its Charity and Diversity Network in India. Devoting her life to charitable causes, including the founding of Remedia, a trust that helps educate hundreds of children in India, Haslam was honored with the Mother Teresa Memorial International Award in 2017. This is a deeply affecting, harrowing story that will remain locked in readers’ memories. Haslam’s delicate, descriptive writing style captures even her most distressing moments, including when she recounts how her deceased baby sister was placed in a tea chest rather than a coffin: “My mother began to seal the top of the chest in place—methodically, like an artist, dripping candle wax along the narrow edges.” Always capable of pinpointing emotions, the author elegantly describes how her childhood shaped her later purpose in life: “I had never forgotten how much the small gestures of kindness in my childhood meant to me and what a difference they had made for my family.” Drawing on her talent as a motivational speaker, Haslam delivers succinct words that have the power to both inspire and offer hope: “Light can come from darkness. My family’s pain is not the entire tale.” The author has lived an extraordinary life—her odyssey, which is skillfully recalled here, will unnerve, move, and inspire readers in equal measure.
A remarkable account that captures the horror of hardship and the power of charity.Pub Date: Sept. 13, 2022
ISBN: 978-1-970107-23-4
Page Count: 236
Publisher: Top Reads Publishing, LLC
Review Posted Online: Aug. 26, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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