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ATTACK OF THE STUFF

As fizzy and zippy as a Saturday-morning cartoon.

When objects begin speaking to him, Bill realizes that now he doesn’t own his stuff: His stuff owns him.

Awakened from a dream by the fart of his alarm clock, Bill, a talking white duck, experiences a moment of strange awareness when he enters his bathroom and his toilet tells him, “Forget it. Not today, Bill,” and declares its showbiz ambitions. From then on, he is enveloped in an endless litany he hears from every object within earshot, including a jar of peanut butter, salt-and-pepper shakers, a blanket, and a baseball hat, all of whom needle Bill constantly. Overcome and exhausted by the unrelenting chatter, Bill decides to move to the forest and live in nature, where he befriends a den of musically ambitious red-and-yellow–striped snakes. When the internet (depicted as a satellite in a pink cowboy hat) decides to quit, only Bill and his quirky powers can save the day and bring the world back online. Benton’s lively and outrageously imaginative graphic novel feels like a sugar rush manifested into comic panels, with its fast pacing and big, bright, simple cartoons. Suffused with ample humor—both general silliness and slapstick—this will resonate with those who like their humor in abundance alongside a hearty dose of weirdness. Bill’s world is populated by an array of anthropomorphic animals, including a duck, a pig, a bear, and a surly cat (wearing a purple T-shirt that says, “Poo,” of course).

As fizzy and zippy as a Saturday-morning cartoon. (Graphic fantasy. 7-12)

Pub Date: May 26, 2020

ISBN: 978-1-5458-0498-8

Page Count: 112

Publisher: Papercutz

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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