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IT'S ME, TWO

From the Catwad series , Vol. 2

Probably not to everyone’s taste—but sure to be popular with the fart and barf set.

It’s take two for Catwad and Blurmp, along with more giggles, grossness, and exaggeration.

Blue-gray Catwad hates everything except torturing his painfully naïve and pathologically happy orange roommate, Blurmp. Across 25 named episodes ranging from three to seven pages of brightly colored comic panels, the two cats play pranks and toss out one-liners at each other’s expense. In “Gaming,” Blurmp is really enjoying his video game even after Catwad points out that the controller is not connected…and the game is actually a commercial for a diarrhea remedy. In “Salad,” Blurmp makes Catwad a salad that Catwad does not want to eat. Catwad points out that koalas, cows, manatees, and pandas all eat nothing but salad and are “slow and lazy.” Blurmp realizes that Catwad doesn’t want to eat the salad because (poking Catwad’s flab) Catwad must eat a lot of salads already. In “Dumb,” Blurmp is patient zero in a dumbness epidemic that destroys the world—thankfully it’s only Catwad’s nightmare, but it prompts Catwad to take Blurmp to “save the world.” Fans of Benton’s first collection will probably enjoy this one even more (and hope for a third). The target audience won’t know Ren and Stimpy, but they may see Squidward and SpongeBob in this feline friendship. A couple of puzzles round out the collection at the close.

Probably not to everyone’s taste—but sure to be popular with the fart and barf set. (Graphic short stories. 7-11)

Pub Date: Sept. 17, 2019

ISBN: 978-1-338-32603-1

Page Count: 128

Publisher: Graphix/Scholastic

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 13, 2018

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