by Jim Carrey & Dana Vachon ‧ RELEASE DATE: July 7, 2020
If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.
A mad fever dream starring Jim Carrey, incorporating morsels of autobiography with adventures involving Nicolas Cage, Kelsey Grammer, Taylor Swift, Anthony Hopkins, Goldie Hawn, Sean Penn, and many more.
“They say his empire was ruined by the same psychosis that found him, at the end, driving around Tucson with a loaded Uzi on his lap, ranting in word salad, high on methamphetamine.” This remark is made about a fictional celebrity guru named Natchez Gushue, but when you encounter it in Chapter 2 you may wonder if it also applies to the creators of this book. Carrey and his collaborator Vachon pull out all the stops as their protagonist Jim Carrey careens from midlife blues through love and career complications toward the apocalypse. (The actual apocalypse, in which the world ends.) “He was nearing fifty, his fans aging, too. His talent was such that Hollywood could not replace him in its usual way, the kind of body snatching that saw Emma Stone swapped in for Lindsay Lohan, Leonardo DiCaprio taking over for River Phoenix.” The question is, should he stage his comeback with “Disney’s Untitled Play-Doh Fun Factory Project” or with a star turn as Mao Zedong in a biopic by Charlie Kaufman? Mixing the memoir with the misinformation, as the title suggests, is not the clearest or most powerful way Carrey might have presented the story of his life. Did his parents really tell everyone to feel free to beat him, “joking but not really”? Was an affair with Linda Ronstadt in 1982 “the only truly selfless love he’d ever known”? Is the scene where Carrey remembers telling Rodney Dangerfield a joke on the older comic's deathbed (“Don’t worry Rodney, I’m gonna let everyone know you’re really gay. That kind of thing isn’t frowned on anymore”) real? Moments of candor and alarming or moving revelations are a bit lost in the mad rush from Hungry Hungry Hippos in Digital 3D to the end of the world, when “Cher and Dolly Parton whizzed by overhead, both singing Leonard Cohen’s 'Hallelujah.' ”
If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.Pub Date: July 7, 2020
ISBN: 978-0-525-65597-8
Page Count: 272
Publisher: Knopf
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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More About This Book
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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