If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.
A mad fever dream starring Jim Carrey, incorporating morsels of autobiography with adventures involving Nicolas Cage, Kelsey Grammer, Taylor Swift, Anthony Hopkins, Goldie Hawn, Sean Penn, and many more.
“They say his empire was ruined by the same psychosis that found him, at the end, driving around Tucson with a loaded Uzi on his lap, ranting in word salad, high on methamphetamine.” This remark is made about a fictional celebrity guru named Natchez Gushue, but when you encounter it in Chapter 2 you may wonder if it also applies to the creators of this book. Carrey and his collaborator Vachon pull out all the stops as their protagonist Jim Carrey careens from midlife blues through love and career complications toward the apocalypse. (The actual apocalypse, in which the world ends.) “He was nearing fifty, his fans aging, too. His talent was such that Hollywood could not replace him in its usual way, the kind of body snatching that saw Emma Stone swapped in for Lindsay Lohan, Leonardo DiCaprio taking over for River Phoenix.” The question is, should he stage his comeback with “Disney’s Untitled Play-Doh Fun Factory Project” or with a star turn as Mao Zedong in a biopic by Charlie Kaufman? Mixing the memoir with the misinformation, as the title suggests, is not the clearest or most powerful way Carrey might have presented the story of his life. Did his parents really tell everyone to feel free to beat him, “joking but not really”? Was an affair with Linda Ronstadt in 1982 “the only truly selfless love he’d ever known”? Is the scene where Carrey remembers telling Rodney Dangerfield a joke on the older comic's deathbed (“Don’t worry Rodney, I’m gonna let everyone know you’re really gay. That kind of thing isn’t frowned on anymore”) real? Moments of candor and alarming or moving revelations are a bit lost in the mad rush from Hungry Hungry Hippos in Digital 3D to the end of the world, when “Cher and Dolly Parton whizzed by overhead, both singing Leonard Cohen’s 'Hallelujah.' ”
If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.Pub Date: July 7, 2020
ISBN: 978-0-525-65597-8
Page Count: 272
Publisher: Knopf
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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