If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.
A mad fever dream starring Jim Carrey, incorporating morsels of autobiography with adventures involving Nicolas Cage, Kelsey Grammer, Taylor Swift, Anthony Hopkins, Goldie Hawn, Sean Penn, and many more.
“They say his empire was ruined by the same psychosis that found him, at the end, driving around Tucson with a loaded Uzi on his lap, ranting in word salad, high on methamphetamine.” This remark is made about a fictional celebrity guru named Natchez Gushue, but when you encounter it in Chapter 2 you may wonder if it also applies to the creators of this book. Carrey and his collaborator Vachon pull out all the stops as their protagonist Jim Carrey careens from midlife blues through love and career complications toward the apocalypse. (The actual apocalypse, in which the world ends.) “He was nearing fifty, his fans aging, too. His talent was such that Hollywood could not replace him in its usual way, the kind of body snatching that saw Emma Stone swapped in for Lindsay Lohan, Leonardo DiCaprio taking over for River Phoenix.” The question is, should he stage his comeback with “Disney’s Untitled Play-Doh Fun Factory Project” or with a star turn as Mao Zedong in a biopic by Charlie Kaufman? Mixing the memoir with the misinformation, as the title suggests, is not the clearest or most powerful way Carrey might have presented the story of his life. Did his parents really tell everyone to feel free to beat him, “joking but not really”? Was an affair with Linda Ronstadt in 1982 “the only truly selfless love he’d ever known”? Is the scene where Carrey remembers telling Rodney Dangerfield a joke on the older comic's deathbed (“Don’t worry Rodney, I’m gonna let everyone know you’re really gay. That kind of thing isn’t frowned on anymore”) real? Moments of candor and alarming or moving revelations are a bit lost in the mad rush from Hungry Hungry Hippos in Digital 3D to the end of the world, when “Cher and Dolly Parton whizzed by overhead, both singing Leonard Cohen’s 'Hallelujah.' ”
If you really like Jim Carrey, stick out the insanity for the gems of comic fantasy and the nuggets of memoir gold.Pub Date: July 7, 2020
ISBN: 978-0-525-65597-8
Page Count: 272
Publisher: Knopf
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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