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A HUNTER'S ROAD

Name: A HUNTER'S ROAD
Author: Jim Fergus
ISBN: 0-8050-1619-8

A JOURNEY WITH GUN AND DOG ACROSS THE AMERICAN UPLAND

by Jim Fergus ‧ RELEASE DATE: Sept. 1, 1992

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Wonderfully evoked natural scenes and portraits of hunters from a free-lance writer. Fergus was 39 when he developed a ``strange, overpowering obsession with bird hunting''—which he hadn't thought about since he was a boy—and came home with a shotgun and a yellow Labrador puppy, Sweetzer, named after a mountain ridge in Idaho, where Fergus and his wife lived. Once Sweetzer and Fergus learned the fundamentals, the author decided they would attempt to hunt as many bird species in different habitats as is possible in a season. Thereupon hangs Fergus's picaresque tale, in which he and Sweetzer cover 17,000 miles in five months, from stalking chukar partridges on rocky Montana mountainsides to shooting snipe in the steamy Mobile delta. Fergus paints wonderful portraits of his hunting companions—from novelists Richard Ford and Robert F. Jones to Florida blue-bloods, from dirt farmers who gladly stop their work to take Fergus and Sweetzer on a quick grouse hunt to ``slob'' hunters who ride the roads drinking beer and shooting birds on the ground. The dogs here are also all memorable personalities, as befits bird hunters' closest partners. To his credit, Fergus presents the current antihunting arguments and talks them over with leading bird biologists; most contend that habitat loss, rather then hunting pressure, has been responsible for the declines in bird populations. Among his adventures, Fergus goes on several organized hunts in preserves (one with a group of grim big-city detectives, who blow every bird to shreds) and laments that so much habitat in the US is becoming privatized—a situation long extant in Europe, where bird hunting is an exclusive pursuit of the rich. A top-notch dog-and-gun-book, with sympathetic focus on humans and animals as well as some fine nature writing.

Pub Date: Sept. 1, 1992

ISBN: 0-8050-1619-8

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE WILD GIRL
by Jim Fergus

- BOOK REVIEW
ONE THOUSAND WHITE WOMEN
by Jim Fergus

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.