Too many detours confuse this account of an inspiring achievement.
Sports Illustrated senior editor Gorant (Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption, 2010, etc.) recounts the tale of a rescue dog who became a world champion Frisbee dog and a mascot for pit bulls.
Apparently slated for an illegal dogfighting operation, Wallace was discovered by a policeman and eventually left with an animal shelter. His next owners, Andrew (Roo) Yori and his wife, Clara, had already adopted four dogs from the shelter, where she worked and he volunteered. At first, they hoped to find the puppy—whom they later named after NBA star Rasheed Wallace—a new adoptive home, but it became a problem. Not only do pit bulls have a bad reputation, but Wallace was a difficult dog. He was obstreperous with an unfortunate tendency to nip at other dogs, but he was playful and fundamentally friendly. Although the shelter turned to euthanasia only as a last resort, as time passed this seemed to be the future awaiting Wallace. Roo and Clara decided to take him in despite the problems. Roo used his own athletic prowess to train Wallace in disc-catching, and the sport provided an extreme athletic challenge for both man and dog. Gorant describes how they rose to the top in this highly competitive sport, and he also looks at the strains and rewards experienced by the newly married couple. Dog lovers will certainly enjoy the story of Wallace’s journey, but the author’s digressions interrupt the narrative flow.
Too many detours confuse this account of an inspiring achievement.Pub Date: Sept. 1, 2012
ISBN: 978-1-592-40731-6
Page Count: 256
Publisher: Gotham Books
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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