The essence of American boys' practicality, perversity, and sweetness memorably captured in a hundred brief, reverberant tales of farm life, some reprinted from an earlier collection by poet Heynen (You Know What is Right, 1985). Divided into six parts, Heynen's stories catalogue the daily brutality and beauty that shape the character of ``the boys,'' five or so brothers and their friends roaming on their fathers' (``the men's'') hog and corn farms in some unspecified midwestern state. They help birth calves—saving the life of a heifer and her calf by cutting up a second unborn calf in utero and removing it, piece by piece, to free the first—and rescue dogs, whose tails they chop off in an effort to make the motley pups acceptable to their fathers. They steal a watermelon from a town woman's garden (``Gotcha'') and blame the man who sneaks up on them and turns them in: ``Good people don't crawl on their hands and knees through the tomatoes to catch boys stealing.'' In ``Dancing with Chickens,'' they sneak into the coops in the early morning and clap softly until the chickens start to follow the beat; then the boys dance with the chickens until ``they got dizzy or heard someone coming. They didn't want anyone to see them doing this. Dancing with chickens was the only dancing the boys ever did. How would someone watching know...they weren't just following?'' And in ``The Grandfather,'' the boys shoot a mourning dove whose cooing is preventing their well-loved cancer-stricken grandfather from resting and ``brought the dead bird inside and held it up for their grandfather. They extended their arms toward him, each of them holding part of the birds' wings between his fingers, so he could see that this gift was from all of them.'' The boys form a perfect chorus of cruelty and kindness—and Heynen is a Hemingway of farm life. Exquisite.
Pub Date: June 3, 1993
ISBN: 0-679-41786-9
Page Count: 240
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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