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FLYING CROWS

A disjointed oddity, well below Lehrer’s best work.

The prolific author (No Certain Rest, 2002, etc.) and PBS anchor takes two lunatic asylum inmates for protagonists in his quirky latest.

The Somerset asylum in Missouri is a nightmarish snake pit: the attendants subdue the patients with baseball bats, and the doctors covet their charges’ brains for research. In 1918, a humane physician, Will Mitchell, saves the life of Josh—mute by day, a screamer at night—and later effects a cure by having him talk about his special interest, the Centralia massacre of Union soldiers in 1864. For reasons we don’t learn until later, Josh can’t be released, but in 1933 he takes under his wing a new inmate, Birdie, fresh from witnessing the Union Station massacre in Kansas City. The young man is quick to mimic Josh’s former symptoms, and after Birdie is caught in the library stacks with a female volunteer, Josh helps him escape. The two men catch the Flying Crow to Union Station, which dazzles Josh with its splendor. He has pressing reasons to return to Somerset, but Birdie, though loath to lose his protector, will live at the station for 64 years before being rousted from his hideaway by a Kansas City cop, Randy Benton. The narrative jumps around among 1918, 1933, and 1997 as Randy unravels the mystery of Birdie and Josh. Lehrer’s 14th outing is powered by barely compatible interests: two historical massacres, the inhumane treatment of mental patients, and the era when railroads were king and stations were palaces. The lurid details of asylum life and the massacres overshadow Birdie and Josh, while the author’s keen nostalgia for the glory days of railroading assorts well with neither. Though Josh and his double-layered secret are accounted for, Birdie remains an enigma, an attractive, adventurous young man with possible Mob connections (we don’t know for sure) who grows deaf to everything save the siren song of Union Station.

A disjointed oddity, well below Lehrer’s best work.

Pub Date: May 18, 2004

ISBN: 1-4000-6197-0

Page Count: 256

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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