Television anchor Lehrer (Flying Crows, 2004, etc.) offers light amusement in an academia where everyone seems perpetually...
A diversion about scholars of early American history who venerate Ben Franklin—who may have been as unscrupulous as many of them seem to be.
Glamorous Rebecca Kendall Lee, popular historian and TV guest, may have plagiarized a goodly bundle in Ronald Reagan: The Last Founding Father. As a consequence, she stands before an august panel of the ARHA (American Revolution Historical Association), who will determine her fate after verifying the crime. Trouble is, haughty Rebecca has scraped up her own evidence of plagiarism and lets the panelists know she’ll use it against them if they’re arrogant enough to find against her. Meanwhile, even bigger things are going on. As the panel ponders, Philadelphia is commemorating the death of Wally Rush, the great Franklin scholar and author of the wildly popular bestsellers Ben One and Ben Two. The dead scholar’s faithful friend and research associate is historian Reginald Raymond Taylor (he goes by “R”), one of the ARHA panel members on the Rebecca case. R, having grabbed the Amtrak train from the Rebecca hearing in D.C. up to Philly, learns that he’s been declared Wally Rush’s literary executor and, on top of that, that the Babbitt-like president of BFU (Benjamin Franklin University) wants R to head up a Franklin center—with comely and intelligent Clara Hopkins possibly as colleague. As tempting as Clara may be, though, R is already promised to fellow historian (and blocked writer) Samantha. Lots more than just sexual conflict is afoot, however, after R reads the explosive letter Wally Rush left for him. Could it be true? Could Franklin really have done that? It will be up to R to save or forever tarnish the reputation of the great Franklin—even as another revelation, this one about R himself, will make the Rebecca affair look like small change.
Television anchor Lehrer (Flying Crows, 2004, etc.) offers light amusement in an academia where everyone seems perpetually on leave, classroom drudgery a thing unknown.Pub Date: May 24, 2005
ISBN: 1-4000-6198-9
Page Count: 224
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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