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THE ARROW CATCHER

An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.

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After his parents’ deaths, an American boy goes to live with his grandfather in postwar Japan and attends an elite boarding school in Mather’s debut novel.

Jonathan is only 6 years old in 1948 when political violence in Boston kills his father and blinds his mother, destroying her emotionally. After her death, he’s sent to Japan to live with his grandfather, an ambassador and judge in Japan’s war-crimes trials, who’s married to a Japanese woman with connections to the royal family. He arranges for the boy to be sent to the Dai Kan, a school “only for the sons of our Imperial Family, our top army and navy officers, and our most respected families,” as a family retainer explains. Although it isn’t made explicit in the novel, all military and martial arts schools were banned in the immediate postwar period; the Dai Kan is allowed to continue “through your grandfather’s direct intervention alone,” says the school’s head. “It was his wish that you become the first non-Japanese to study here…to build a better understanding between our two nations.” As the only gaijin, or foreigner, Jonathan makes some enemies, but he studies hard to learn his academic subjects. He also excels at traditional Japanese martial arts, going on to the even more elite Kami Kan school, where he learns modern techniques and weapons handling. When yakuza gang members stage a daring kidnapping of two young members of the imperial family, Jonathan’s skills are put to the test. Overall, his orphan status, his difference from other students, his affection for his few friends and his earnest desire to succeed make him a sympathetic character. The story might have more clearly indicated the passage of time, however; readers may find themselves guessing at Jonathan’s age from chapter to chapter. Mather, who holds the highest possible karate title of hanshi, uses his knowledge of martial arts and Japanese culture well, providing many fascinating details of instruction, beliefs and practices. The fight scenes, whether during practice or for real, are consistently exciting, and the author makes unfamiliar techniques and complicated maneuvers easy to follow.

An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.

Pub Date: Sept. 21, 2013

ISBN: 978-1491011393

Page Count: 268

Publisher: CreateSpace

Review Posted Online: Oct. 24, 2013

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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