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CAJUN CROW AND THE MOCKINGBIRD

A sentimental, clichéd tale that gloriously depicts Cajun country.

A Cajun lawyer juggles his work for the mob with a commitment to social justice in the mid-20th century.

Noel Corbin’s upbringing was a modest one on Bon Terre, a small island in the Gulf of Mexico and a “childhood paradise.” Both his parents were profoundly Cajun, a culture he happily imbibed. But when his parents died in quick succession, he lost all hope and his faith in God. He meets Armand, his mother’s cousin, who offers him work in New Orleans and turns out to be the “boss of the Cajun mob.” Armand employs him under the condition he attends college, a tedious task for Noel, who does well with minimal effort since he has a photographic memory. He eventually becomes a lawyer working for organized crime, and due to his underhanded tactics, he garners a reputation as a “rogue, a scoundrel, and the devil incarnate.” However, despite his cynicism and total disregard for the law, he’s also a “champion of the underdog, a seersucker-suit warrior fighting the all-powerful establishment.” Corbin ends up defending Black teenager Gasper Babineaux, who is framed by District Attorney Benjamin Heick for being a Communist, a terrifying charge. At the core of Martinez’s book is a rich depiction of Cajun culture, one that the author, who has deep Cajun roots, lucidly portrays (“I could cast a net only feet from my house and catch large, brown shrimp that Mom used to make her lip-smacking gumbo”). However, the plot is glacially slow and equally melodramatic. And the writing is often clichéd. Consider this description of Gale Guidry, a private detective and “Cajun goddess”: “She was the kind of woman who made me glad I was a man. Gale had a body that required a warning sign: BEWARE OF DANGEROUS CURVES.” Still, those interested in an authentic portrayal of New Orleans will find a lot to savor.

A sentimental, clichéd tale that gloriously depicts Cajun country.

Pub Date: N/A

ISBN: N/A

Page Count: 277

Publisher: Manuscript

Review Posted Online: Sept. 21, 2022

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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