CAJUN CROW AND THE MOCKINGBIRD

A Cajun lawyer juggles his work for the mob with a commitment to social justice in the mid-20th century.

Noel Corbin’s upbringing was a modest one on Bon Terre, a small island in the Gulf of Mexico and a “childhood paradise.” Both his parents were profoundly Cajun, a culture he happily imbibed. But when his parents died in quick succession, he lost all hope and his faith in God. He meets Armand, his mother’s cousin, who offers him work in New Orleans and turns out to be the “boss of the Cajun mob.” Armand employs him under the condition he attends college, a tedious task for Noel, who does well with minimal effort since he has a photographic memory. He eventually becomes a lawyer working for organized crime, and due to his underhanded tactics, he garners a reputation as a “rogue, a scoundrel, and the devil incarnate.” However, despite his cynicism and total disregard for the law, he’s also a “champion of the underdog, a seersucker-suit warrior fighting the all-powerful establishment.” Corbin ends up defending Black teenager Gasper Babineaux, who is framed by District Attorney Benjamin Heick for being a Communist, a terrifying charge. At the core of Martinez’s book is a rich depiction of Cajun culture, one that the author, who has deep Cajun roots, lucidly portrays (“I could cast a net only feet from my house and catch large, brown shrimp that Mom used to make her lip-smacking gumbo”). However, the plot is glacially slow and equally melodramatic. And the writing is often clichéd. Consider this description of Gale Guidry, a private detective and “Cajun goddess”: “She was the kind of woman who made me glad I was a man. Gale had a body that required a warning sign: BEWARE OF DANGEROUS CURVES.” Still, those interested in an authentic portrayal of New Orleans will find a lot to savor.

A sentimental, clichéd tale that gloriously depicts Cajun country.