Next book

THE HORNET’S NEST

A NOVEL OF THE REVOLUTIONARY WAR

Carter’s 17th book (Christmas in Plains, 2001, etc.), the first work of fiction by a US president, will certainly inform,...

Setting his hand to historical fiction, the former president focuses on the American Revolution, getting the history part right, the fiction not quite.

It’s the Revolutionary War as fought in the South—mostly Georgia, the Carolinas, Florida—and what a story that is. It has sweep, drama, suspense, and, as Carter suggests in his acknowledgments, it surprises for some who think they know what 1775–83 was all about. The war, southern-style, was a ferocious, bloody, take-no-prisoners kind of war, despite the homogeneity of the combatants. The vaunted British army was, for the most part, otherwise occupied, as was the less vaunted Continental army, George Washington only a name written on the wind. Miles away from Bunker Hill, Saratoga, etc., guerrilla warfare ruled: Loyalists (to Britain) vs. Rebels (against Britain), but Americans all, behaving toward each other as savagely as if they had never been friends and neighbors. Not long before the breakout of hostilities, Ethan Pratt and his wife Epsey, newly married, leave Philadelphia to arrive, ultimately, in Georgia, where they stake out a land claim, convinced they’ll be able to ignore those complex and vaguely irritating events up north in the interests of getting on with what matters—raising crops and family. It’s a delusion, of course, and soon enough the two are swept up in the swirl of fast-moving events: Ethan, a pacifist at heart, joins a Rebel militia group; Epsey, left on her own, finds protection among the Quakers. Poignant, even desperate things happen to both, but essentially they’re protagonists at the periphery. At one point, for instance, Ethan virtually vanishes from the action for 160 pages. It’s hard, then, not to conclude that it’s the history that fascinates the author, while the fiction merely interests him.

Carter’s 17th book (Christmas in Plains, 2001, etc.), the first work of fiction by a US president, will certainly inform, but, lacking the novelist’s spark, it’s unlikely to move or grip.

Pub Date: Nov. 14, 2003

ISBN: 0-7432-5542-9

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview