A page-turning horror exploring (and adding to) New England folklore and myth.
A Gulf War veteran struggles to keep his family together—and his sanity intact—when faced with multiple crises in Alo’s horror novel.
Curtis Reynolds is not a happy man. An overworked third-shift laborer who spends weeks, sometimes months, away from his wife and child, Reynolds is summoned home when a hurricane traveling up the East Coast is predicted to travel dangerously near his family’s Connecticut house, which is located on a river. He dreads returning to an estranged wife and a crumbling marriage, a child with special needs, a pile of bills, a flooded basement, and a house that’s in the process of being lost to eminent domain due to a mysterious project funded by the government. Suffering from past war trauma (“The surrounding men, including himself, lay speckled in shrapnel, surrounded by a smoldering blur of twisted metal”) as well as nightmares associated with a woman he killed while driving drunk years earlier, Reynolds is not prepared for what he discovers on his street, already being battered by the storm: brutally murdered neighbors, destroyed houses, roaming colonies of feral cats, and a nightmarish beast stuck in his basement that simply can’t be real. With his sanity possibly slipping, Reynolds investigates and finds revelations in an abandoned neighborhood across the river. There’s a lot to like here: Alo’s writing is focused and fluid, creating a fast-paced and action-packed narrative that never flags. His adept ability to intertwine multiple threads of tension—the raging storm, PTSD-induced hallucinations, nightmarish creatures, marital conflict, and secret government installations—keeps the intensity impressively high throughout, weaving a thick tapestry of terror. One quibble: The overuse of description in places sometimes slows the narrative momentum. Still, the jaw-dropping plot twists will keep readers on the edges of their seats.
A page-turning horror exploring (and adding to) New England folklore and myth.Pub Date: March 24, 2023
ISBN: 9781088097984
Page Count: 386
Publisher: Self
Review Posted Online: Nov. 9, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Review Program: Kirkus Indie
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
PERSPECTIVES
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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