Solid writing and sensitive insights make this one a winner.
A British schoolteacher descends into despair and travels to America as a last hurrah in this dark, powerful novel.
On the first page, we’re introduced to Michael Kabongo, a Congolese British schoolteacher who is waiting in London’s Heathrow Airport for a flight that will take him to California. He’s not traveling for pleasure. “I quit my job,” he explains. “I am taking my life savings, $9,021, and when it runs out, I am going to kill myself.” Michael’s descent into hopelessness has been a bit of a slow burn—he’s grown disillusioned with his job, where he’s tasked with wrangling restive kids. (“Cause of death: unknown—may involve rude, screaming children and stress,” he texts a co-worker. “Tombstone reads: ‘Herein lies a man, who died as he lived: tired.’ ”) He’s not thrilled with his living situation, either—he shares an apartment with his mother; he can’t afford to move out on his teacher’s salary. So after a tragedy upends his life, he takes out a loan and lights out for America, aimlessly traveling through the country, eating Whataburgers in Dallas with near strangers and accompanying a taxi driver to a strip club in Chicago. All the while, he’s haunted by his own growing despair: “To exist, even in my own body, was taking its toll; I wanted to escape from it, leave it all behind; I wanted to be free of it. I want to live where there was no consequence to this body, where I was not named, where I was not known….I did not want to know others. I did not even want to know myself.” Bola employs a fascinating narrative structure: The chapters covering Michael’s time in London are told in the first person; the passages in America switch to the third person, emphasizing Michael’s growing alienation from himself. Chronicling someone’s emotional deterioration can be a tricky affair, but Bola acquits himself beautifully; his prose is sensitive and powerful. Lovers of character studies that tend toward the dark will find much to admire in this novel.
Solid writing and sensitive insights make this one a winner.Pub Date: Feb. 15, 2022
ISBN: 978-1-9821-7556-6
Page Count: 272
Publisher: Atria
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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