An imaginative, vivid, and violent fantasy hampered by deficient editing.
In this debut YA novel, a teenager lands in a brutal world of magic, where he proves to be something more than human and the key to a sadistic leader’s dark plot.
Sixteen-year-old Hale has no idea why he and his older sister, Carly, have been kidnapped or why they are being subjected to systematic torture. After an escape attempt brings Hale both freedom and tragedy, he is drawn by an evil schemer into the magical, violent Land of the Griffins, where everything he thought he knew about himself and his world changes. Hale must learn not only how to survive (echoes of Lord of the Flies and The Hunger Games), but also just who and what he really is. (Ethnicities aren’t mentioned; characters’ skin colors are white, tan, olive, and blue; Hale is white.) This ambitious novel covers broad fantasy territory: magic objects open portals to different planes of existence; humans turn into griffins and werewolves; and there are manipulative telepaths, a soul-stealing witch, woodland nymphs, assorted other magic wielders, and a sad siren whose voice kills. Family relationships, both good and bad, thread throughout the book, as do plentiful scenes of violence: among them, teens engaged in death matches and a graphic description of an attempted rape. Hale’s inventive story is one of several separate narratives involving various sets of intriguing characters and plotlines that eventually interconnect, offering answers to motives and mysteries that initially seem obscure. (What or who compelled the kidnapper’s brutality? Why have Hale and other teenagers been plucked from the human world to manifest their inner griffins?) Unfortunately, the text has a first-draft feel, diluting Noble’s vibrant tale with many awkward phrasings (“His face had formed wrinkles in all places he expressed thought. His black eyes protruded determination and anxiety”; “All the while, the stranger’s back continued to face them without care”). The novel’s abrupt open ending suggests a sequel to come.
An imaginative, vivid, and violent fantasy hampered by deficient editing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Kurti Publishing
Review Posted Online: Aug. 26, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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