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THE CRIMES OF GRINDELWALD

THE ORIGINAL SCREENPLAY

From the Fantastic Beasts series , Vol. 2

Likely to be read once at most; still, a handsomely designed offshoot from the Fantastic Beasts franchise.

The ruthless Grindelwald escapes to recruit more followers—one in particular—to his genocidal cause.

More a collectible spinoff than a fleshed-out story, the volume frames 120 quick-cut scenes of sparse dialogue and staging directions within swirling art nouveau–style borders, with plenty of similarly elegant spot art featuring occasional small images of magical creatures but no human figures. There are no stills from the 2018 film either, though director David Yates chimes in with a fluffy foreword, and the backmatter includes a vocabulary of staging abbreviations and partial cast and crew lists. The storyline, sketchy as it is in this form, picks up where the previous episode left off—readers will definitely need to have the established characters and events fresh in their minds to keep pace—and, after various side trips, gathers the ensemble (including token Muggle Jacob Kowalski) in Paris for a climactic dust-up beneath Père Lachaise cemetery. As usual in the Potterverse, agendas nearly always turn on family relations or class, so aside from a glancing reference to Grindelwald and Albus Dumbledore’s being “closer than brothers” in their youths, the main developments here center on the star-crossed Muggle/magical romance of Jacob and Queenie and the (supposed) ancestry of powerful but ominously impressionable Credence Barebone. Stay, as the saying goes, tuned.

Likely to be read once at most; still, a handsomely designed offshoot from the Fantastic Beasts franchise. (Fantasy. 10-adult)

Pub Date: Nov. 16, 2018

ISBN: 978-1-338-26389-3

Page Count: 304

Publisher: Levine/Scholastic

Review Posted Online: Dec. 21, 2018

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IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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