That second matter is a point that could stand elaboration. On the strength of this sharp, inspirational piece, we hope that...
Harry Potter’s creator faces a crowd of uber-Muggles—the graduating class of Harvard University—whom she enjoins to stretch their minds and be awesome.
Today, Rowling (The Casual Vacancy, 2012, etc.) is massively wealthy, but that wasn’t the case a quarter-century ago, when she was “as poor as it is possible to be in modern Britain without being homeless.” That condition might have been an I-told-you-so moment for the parents who worried that by pursuing a degree in classics she was setting herself up for penury. “Of all the subjects on this planet,” she writes, “I think they would have been hard put to name one less useful than Greek mythology when it came to securing the keys to an executive bathroom.” Instead, she tells her eager audience, it was a wake-up call: she had failed dramatically, and about the only place to go was up, which is, after all, the lesson one hopes to learn from failure. The classics prove steadfast companions in this brief volume. Though she’s best known for a few Latin taglines by way of magical spells, Rowling makes neat connections between the challenges of modern life and the tutelary examples of Seneca, Plutarch, and the other ancients. While she discounts the ennobling aspects of poverty and misery, it’s also clear that her education provided her with some steel to face those hardships. The author’s quiet praise of liberal education forms one theme. A second, the importance of the imagination, is perhaps the more expected one, but Rowling takes a nicely unsettling detour by recounting her time spent working for Amnesty International and witnessing how monstrous people can be. The unimaginative, she ventures, are more afraid of the world than the imaginative and in turn, “enable real monsters.”
That second matter is a point that could stand elaboration. On the strength of this sharp, inspirational piece, we hope that Rowling will add a book of essays to her CV.Pub Date: April 14, 2015
ISBN: 978-0-316-36915-2
Page Count: 80
Publisher: Little, Brown
Review Posted Online: April 11, 2015
Kirkus Reviews Issue: May 1, 2015
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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