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THE POLE

Coetzee seems to be having some compassionate fun, and so will the reader.

A droll novel that skips lightly across serious matters—art and death and love.

There’s a playfulness from the outset of this slim work by the Nobel Prize–winning Coetzee. “The woman is the first to give him trouble, followed soon afterwards by the man,” it begins. The woman, we soon learn, is Beatriz, a board member of the music series that has brought the man to Barcelona. The man is the title character, a Polish pianist “whose name has so many w’s and z’s in it that no one on the board even tries to pronounce it—they refer to him simply as ‘the Pole.’ ” Which leaves “him,” and that would be the novelist, who presents himself as not creating these two characters but chronicling them, perhaps channeling them, as if they have hearts of their own. The pianist is known for his idiosyncratic readings of his countryman Chopin, though he falls well short of a virtuoso’s renown. Just as he is not an extraordinary musician, she is not an extraordinary listener. She seems to be doing her civic duty, as some women of a certain age and income might. She will soon be turning 50; he’s almost a quarter-century older. “Surely, at his age, he will not expect sex,” she thinks, even before her obligatory first meeting with him, which appears inconsequential. But why is she even thinking of that? She is a married woman, though she and her husband pretty much lead separate, sexless lives. And when the Pole subsequently reveals that she has become his obsession, she isn’t sure how she feels or how to respond. Why her? He seems to have something of a Dante-Beatrice fixation, and his obsession with her changes his life. And hers too. Love and art can do that.

Coetzee seems to be having some compassionate fun, and so will the reader.

Pub Date: Sept. 19, 2023

ISBN: 9781324093862

Page Count: 176

Publisher: Liveright/Norton

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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