A tender portrayal of those left behind in the wake of tragedy.
Mapson’s quirky, character-driven novels (The Owl & Moon Café, 2006, etc.) explore loneliness under the big skies of the West, and this effort is no exception as a young widow rebuilds her life on her Central California farm.
Though Glory Solomon’s husband died almost a year ago, she still sits in the closet with his clothes and cries. At least she has the animals to keep her going: goats and chickens, abandoned horses and two rescue dogs she is training for adoption. To help make ends meet she is using the farm as a wedding venue—her late husband Dan built a chapel on the property, which also boasts Solomon’s Oak, an ancient white oak that draws tourists and botanists from all over. Coupled with Glory’s cooking skills, the whole wedding thing just may save her from working another day at Target. And then along comes Juniper McGuire, a 14-year-old foster kid Glory hesitantly agrees to take in. She and Dan used to foster-parent boys, and under Dan’s gentle tutelage they became kind young men, but Glory’s not sure she can handle Juniper, an angry girl with facial piercings and a bluebird tattooed on her neck. But then a kind of fate intervenes as she discovers who Juniper is: Juniper’s older sister Casey was famously abducted four years earlier while walking her new dog—a rescue Glory herself gave the family and who made its way back to Glory’s farm the day of the kidnapping. When Juniper meets Cadillac again, the two become inseparable, and Glory thinks this relationship may save the girl from her own destruction. Despite school trouble with Juniper, Glory’s life is slowly improving—the chapel is getting more bookings and she meets Joseph Vigil, a former cop (living with chronic pain from a shooting that took his partner) who came to photograph Solomon’s Oak and has stuck around to help tutor Juniper. Mapson’s three damaged souls, and the ghosts in their lives, are able to find in each other just the thing to make life worth living.
A tender portrayal of those left behind in the wake of tragedy.Pub Date: Oct. 1, 2010
ISBN: 978-1-60819-330-1
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: Aug. 19, 2010
Kirkus Reviews Issue: Sept. 15, 2010
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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