by Jo Ellen Bogart ; illustrated by Lori Joy Smith ‧ RELEASE DATE: Feb. 7, 2017
There is so much feathered fun here, it’s pure poultry in motion.
Unfolding in short, bouncy rhymes, this atypical counting book fills its pages with a flock of chickens enjoying a day at the county fair.
What distinguishes this counting book is that the number of chickens to count on each double-page spread is neither simple nor sequential. There are chickens everywhere, reminiscent of Richard Scarry, with as many as 35 or more chicks, hens, and roosters on the pages. They ride the Ferris wheel and merry-go-round, toss balls at the dunk tank and teddy bear booth, and cheer at the grasshopper-tart contest. The rhymes go down easy: “Chickens on the Ferris wheel / shriek with laughter, scream and squeal. / Chicken sister cannot speak— / cotton candy in her beak!” While the short rhymes relate the action, the boisterous chickens take center stage. Digitally colored pencil illustrations use small, simple shapes to describe the chickens, but they are individually dressed in a broad range of fair attire: plaid shirts, jeans, vests, frilly dresses. The chickens are depicted in a wide range of plumage colors, and details in the clothing make it possible to follow some chicks across pages. Visual puns will make adults giggle: the Dixie Chickens perform onstage, as do the Blues Brothers. Backmatter has a simple quiz with answers, but there is no key listing the actual count of chickens per spread.
There is so much feathered fun here, it’s pure poultry in motion. (Picture book. 4-7)Pub Date: Feb. 7, 2017
ISBN: 978-1-77049-792-4
Page Count: 32
Publisher: Tundra Books
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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