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WHERE THE HEART IS

With pleasant but meandering writing and little urgency, this one’s best for character-oriented readers.

Her 14th summer teaches Rachel the meaning of the word bittersweet.

All her life she and her parents and her little sister, Ivy, who’s 8, have lived in an old farmhouse they’ve named Bittersweet Farm, for the vines on the property that her mother makes into wreaths. It’s not a working farm, but they have a big garden and an elderly rescue pony. Rachel’s mother has lost her job as a school librarian, so money is tight, but Rachel is chiefly concerned with her relationship with her best friend, Micah, who would love to be her boyfriend if Rachel allowed. Rachel isn’t sure of her sexuality, and she is anxious around schoolmates who are richer and more self-assured. She spends the summer at the nearby beach and caring for the animals on a rich neighbor’s hobby farm. Then their family loses their home to foreclosure. Told in Rachel’s authentically 13-year-old first-person voice, the story suffers from uneven pacing. At first readers are led to think that Rachel’s relationships and sexuality will be the story’s main focus. Whole chapters are spent describing the neighbor’s farm, which turns out to be unimportant to the plot, and the foreclosure, which turns out to be the primary plot point, isn’t mentioned until two-thirds of the way through the book. The economic stressors this default-white family faces are well-presented.

With pleasant but meandering writing and little urgency, this one’s best for character-oriented readers. (Fiction. 8-12)

Pub Date: April 2, 2019

ISBN: 978-1-5362-0003-4

Page Count: 304

Publisher: Candlewick

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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