by Jo McCarty ‧ RELEASE DATE: April 1, 2024
A consuming work of great unpredictability and power.
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A suicidal man living through a global health crisis realizes he’s immortal in McCarty’s novel.
Louie lives in a tiny town in Northern Michigan and is considered by all, including himself, a lifelong loser. An out-of-work mechanic, he decides to kill himself, but he fails repeatedly; for reasons he cannot understand, he is immortal, a peculiar condition for a man who longs to end his own life. Even stranger is the fact that everyone else is dying—the world is engulfed by a flulike virus, a “biotic crisis” that’s mercilessly killing nearly every human in a mass extinction event, a horrifying catastrophe chillingly portrayed by the author. Eventually, Louie is the last surviving resident of his town, and he calls a newspaper to report it; this is how he meets Katherine, the woman who answers the phone and thereafter becomes the object of his dreams. She dreams of him, too, and she drives from New Jersey to Michigan to find him. Louie shares his bizarre secret with her and comes to believe she’s like him, incapable of death, and that they are meant to “rebuild the world as Adam and Eve.” This crumbling world is a dangerous place, however, and they’re threatened by another man with a different plan, a man who may also be immortal. This is not a formulaic apocalyptic novel—in fact, it’s surprisingly inventive and delightfully weird. Both Louie and Katherine are depicted in nuanced, even tender terms, two sad people who have both struggled with suicidal intentions. The story’s conclusion is a touch sentimental—the author can’t help but draw a banal therapeutic lesson from the tale—but that doesn’t ruin an otherwise refreshingly original novel that enchants even as it terrifies.
A consuming work of great unpredictability and power.Pub Date: April 1, 2024
ISBN: 9781941175026
Page Count: 248
Publisher: Crazy Pages
Review Posted Online: March 26, 2024
Review Program: Kirkus Indie
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by Grady Hendrix ‧ RELEASE DATE: Jan. 14, 2025
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Agustina Bazterrica translated by Sarah Moses ‧ RELEASE DATE: Aug. 4, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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