CALL ME ADAM

A suicidal man living through a global health crisis realizes he’s immortal in McCarty’s novel.

Louie lives in a tiny town in Northern Michigan and is considered by all, including himself, a lifelong loser. An out-of-work mechanic, he decides to kill himself, but he fails repeatedly; for reasons he cannot understand, he is immortal, a peculiar condition for a man who longs to end his own life. Even stranger is the fact that everyone else is dying—the world is engulfed by a flulike virus, a “biotic crisis” that’s mercilessly killing nearly every human in a mass extinction event, a horrifying catastrophe chillingly portrayed by the author. Eventually, Louie is the last surviving resident of his town, and he calls a newspaper to report it; this is how he meets Katherine, the woman who answers the phone and thereafter becomes the object of his dreams. She dreams of him, too, and she drives from New Jersey to Michigan to find him. Louie shares his bizarre secret with her and comes to believe she’s like him, incapable of death, and that they are meant to “rebuild the world as Adam and Eve.” This crumbling world is a dangerous place, however, and they’re threatened by another man with a different plan, a man who may also be immortal. This is not a formulaic apocalyptic novel—in fact, it’s surprisingly inventive and delightfully weird. Both Louie and Katherine are depicted in nuanced, even tender terms, two sad people who have both struggled with suicidal intentions. The story’s conclusion is a touch sentimental—the author can’t help but draw a banal therapeutic lesson from the tale—but that doesn’t ruin an otherwise refreshingly original novel that enchants even as it terrifies.

A consuming work of great unpredictability and power.