The illusions of a family and its close-knit town constructed and demolished on a truly epic scale.
The latest stand-alone from the chronicler of Inspector Harry Hole puts all the murky, violent twists on brotherly love that you’d expect from this leading exponent of Nordic noir.
Roy Calvin Opgard has always been joined at the hip to his kid brother, Carl Abel Opgard, though not in the ways you’d expect. Carl was clearly his father’s favorite, and years ago he left Norway for Canada, where he made quite the reputation as an entrepreneur, while Roy stayed behind to run a petrol station his dreams merely stretched to owning. When Carl returns to Os, it’s with a beautiful bride, Barbados-born Shannon Alleyne, and an ambitious plan to build the Os Spa and Mountain Hotel on land the brothers inherited when their parents plunged to their deaths in the prized Cadillac Raymond Opgard bought from conniving Willum Willumsen. But there’s more to Carl’s noble-sounding scheme to finance the project by distributing ownership shares among the townsfolk than he lets on. And Carl’s return to his hometown unearths long-simmering tensions between the brothers and threatens to reveal long-buried secrets about the deaths of their parents, the disappearance long ago of sheriff Sigmund Olsen, whose son, Kurt, now holds the sheriff’s job, and the checkered sexual histories of both Carl and Roy. Nesbø peels away the secrets surrounding Carl’s project, his backstory, and his connections to his old neighbors so methodically that most readers, like frogs in a gradually warming pan of water, will take quite a while to realize just how extensive, wholesale, and disturbing those secrets really are.
The illusions of a family and its close-knit town constructed and demolished on a truly epic scale.Pub Date: Nov. 10, 2020
ISBN: 978-0-525-65541-1
Page Count: 560
Publisher: Knopf
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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