Stylistically, these stories are very much from another era (two of them were originally published under the pseudonym...
Darkly whimsical stories, most of them from the 1950s and six of them previously unpublished, by the late author best known for the fanciful Wolves of Willoughby Chase series and Jane Austen sequels.
Aiken, who died in 2004, was a kind of modern folklorist whose stories (many of which were featured in Argosy) include a repressed English vicar reincarnated as a brazen cat, a mini-mermaid no one wants except the seaman who found her (but can't keep her), a forlorn 4-year-old boy summoned from the past by the sound of music, an ad writer haunted by octopuses and the chain-smoking devil himself. Then there's Midsummer Village, which is targeted by a millionaire developer blind to its legendary beauty, which is so great that it exists for only three days a year. Even in her more realistic stories, there's a sense of people getting pulled by unexplained or unseen forces, most affectingly in "The Monkey's Wedding," in which an elderly artist goes to reclaim his celebrated painting of a German-occupied Eastern European town, 50 years after the work fell into Nazi hands, and his crusty aged mother who discovers the grandson she never knew she had. Whatever the outcome of these tales, however deep the themes, Aiken writes with surpassing spirit and alertness, never ceasing to find interest or amazement in the traps people set for themselves. Some of the stories are slight, but Aiken's elegant restraint and dry wit never fail to leave their mark.
Stylistically, these stories are very much from another era (two of them were originally published under the pseudonym Nicholas Dee), but the moral insights in them are timeless.Pub Date: April 1, 2011
ISBN: 978-1-931520-74-4
Page Count: 200
Publisher: Small Beer Press
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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