This rich, spoofy, pseudo-sinister farce is what Joan Aiken must have been practicing for with Winterthing. What happens is a sort of Tempest-in-a-lighthouse, the keeper being an insistently repentant former ship-wrecker who also keeps a monster named Caliban (victim of the Miranda wreck) trapped in a bottle in the cave below. (The cave is reached either through a whirlpool or by an elevator you summon with music instead of a button.) Also residing in the lighthouse are the keeper's blind, passive wife and the forgiving ghost of the smuggler brother-in-law he unwittingly lured to his death on the rocks nineteen years before. But Caliban, it seems, possesses a locked Book of Power that is sought by crime king Lord Boss whose henchmen Fever, Gritty and Sunup have located the creature by radio and arrive on the spot just when the daughter, Sympathy, returns home from ballet school. Until the climactic crash when a few more characters are casually turned into ghosts, they all connect and interact with choreographed precision through an increasingly tangled web of desperation and ludicrous deceit — and all to the tune of such burlesquing songs as "Who is Caliban, who is he," "O Caliban where are you roaming," "Tell me where is patience mustered" and "Full fathoms five thy brother lies, His buttons turned to haddocks' eyes. . . ." This might well be such stuff as grand performances are made on.
Pub Date: Jan. 21, 1974
ISBN: 0670487953
Page Count: 95
Publisher: Viking
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Jan. 1, 1974
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lovely encouragement to young writers to persist.
This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.
A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.
A lovely encouragement to young writers to persist. (Informational picture book. 6-10)Pub Date: July 7, 2020
ISBN: 978-1-4521-5666-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.
The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.
Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-911171-55-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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