by Joan Aiken ‧ RELEASE DATE: Aug. 5, 1966
It's a whale of a lot of fun. Though more than a fraction tamer than The Wolves of Willoughby Chase, the humor is as broad as it was in Black Hearts in Battersea and the plot as thick. Dido Twait's cockney sounds right at home along with the Nantucket twang. She's eleven years old and awakens after a nine month coma aboard the good ship Sarah Casket, a whaler that rescued her from the wreck of the English boat she'd stowed away on. Nobody's ever bounced out of a prolonged sleep with more energy. Dido deals with Captain Casket's obsession (an inverted Moby Dick fever in which a pink whale ecstatically pursues him) and stokes up Dutiful Penitence Casket, his wan and fearful daughter. The two are eventually immured on Nantucket with Dutiful's hated Aunt Tribulation who turned out to be an impostor hiding in the New World while conniving to remove King James and replace him with a Hanoverian. To this end a bird watching bomb expert from Germany has been paid to invent a huge gun. Its recoil might knock Nantucket into New York harbor. Like whale blubber, the storyline is a mess to boil down, but it's got as much robust energy as one of the happier sea chanties.
Pub Date: Aug. 5, 1966
ISBN: 0395971853
Page Count: 228
Publisher: Doubleday
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Aug. 1, 1966
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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