Another entry in Bauer’s growing collection of books about likable and appealing female teenagers with a strong vocational calling. Ivy Breedlove in Backwater (1999) is a historian, Jenna Boller in Rules of the Road (1998) is a talented salesperson, and Hope Yancey’s gift is for waitressing. As the novel begins, Hope, 16, and her aunt Addie are about to move from Brooklyn to Mulhoney, Wisconsin, where Addie will manage and cook for a diner called the Welcome Stairways. Hope, whose mother abandoned her as an infant and who has never known her father, is pretty well-adjusted, all things considered. She throws herself into her new life in the small town, working on the grassroots mayoral campaign of the diner’s owner, quickly acquiring a boyfriend and friends, and proving herself to be a stellar waitress (she’s been working in restaurants most of her life, after all, and one of the few things her mother has given her is a list of waitressing tips). Despite having moved so often and having had such inadequate biological parents, Hope isn’t afraid to connect to people. The relationship between Hope and G.T., the man who owns the diner and who eventually marries her aunt is especially touching and sweetly portrayed. He’s everything Hope ever wished for in a father. It could be said that the occupation of waitressing is over-idealized; it’s portrayed as the noblest of professions. But the lessons she’s learned from the job are essential to Hope’s character and a part of why the plot develops as it does. More important, and as always from Bauer, this novel is full of humor, starring a strong and idealistic protagonist, packed with funny lines, and peopled with interesting and quirky characters. (Fiction. 11-16)
Pub Date: Sept. 1, 2000
ISBN: 0-399-23142-0
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
A lushly written story with an intriguing heart.
After praying to a Fate for help, Evangeline discovers the dangerous world of magic.
When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.
A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)Pub Date: Sept. 28, 2021
ISBN: 978-1-250-26839-6
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
